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ANGELS IN AMERICA, Scenic Design
By Tony Kushner
Resident Ensemble Players, Newark, Delaware
Directed by: Steve Tague
Lighting Design: Matt Richards
Costume Design: Kim Sorenson
Sound Design: John Stovieck
For Tony Kushner’s “gay Fantasia,” I designed a vast blue room as the vessel of multiple scenes.. In this minimal environment I employed the use of very specific furniture choices to distinctly render the scenes. I also designed a huge skylight center stage to hint at a New York world and to serve as the faming device of the show.
Two open doorways, designed as cutouts from the back wall of the stage, were employed regularly as thresholds. They were traversed solely by fantasy and spectral characters who, by crossing into the central room, embodied the world of the play.
ANGELS IN AMERICA, Scenic Design
By Tony Kushner
Resident Ensemble Players, Newark, Delaware
Directed by: Steve Tague
Lighting Design: Matt Richards
Costume Design: Kim Sorenson
Sound Design: John Stovieck
For Tony Kushner’s “gay Fantasia,” I designed a vast blue room as the vessel of multiple scenes.. In this minimal environment I employed the use of very specific furniture choices to distinctly render the scenes. I also designed a huge skylight center stage to hint at a New York world and to serve as the faming device of the show.
Two open doorways, designed as cutouts from the back wall of the stage, were employed regularly as thresholds. They were traversed solely by fantasy and spectral characters who, by crossing into the central room, embodied the world of the play.
Photo Paul Cerro
Threshold of Revelation
photo Paul Cerro
Manhattan Restaurant
photo Paul Cerro
The prior, Prior Walters ghosts
photo Paul Cerro
a fancy straight bar,and Central Park
photo C.David Russell
Ethel visits Roy
photo Paul Cerro
Antarctica
photo Paul Cerro
Prior's bedroom
Photo Paul Cerro
the skylight breaks open
photo Paul Cerro
The Messenger arrives
photo Paul Cerro